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psychedelic-2

Anjuna Touchdown: The Story Behind Hypnocoustics & Mandala’s Goa-Inspired Collaboration

March 4, 2026
Anjuna Touchdown, Hypnocoustics, mandala, nano records, psychedelic, psytrance

Few collaborations in psychedelic music carry the kind of organic chemistry that Hypnocoustics and DJ Mandala share. What began as a chance meeting in a beach café in Kerala more than two decades ago has grown into a creative partnership rooted in friendship, shared experiences, and a deep connection to the spirit of Goa.

Their latest collaboration, “Anjuna Touchdown,” captures a feeling familiar to many travellers and dancefloor wanderers – the moment of arrival, when the sun melts into the Arabian Sea and the music begins to shape a new chapter of life.

In this interview, Joe and Angus reflect on the serendipity that brought them together, their meticulous studio process, the ever-evolving magic of Goa, and the beautifully chaotic lessons learned along the roads of India.

As is clearly evident from the collaboration tracks you’ve written together, there’s a deep connection between you both. Can you take us back to the very first time you met and how that initial spark evolved into the creative partnership we hear today?

Joe & Angus: We met 20 years ago in Kerala in a beach café, both on our own journeys. Angus was bound for Goa to start an eco-resort which would later become The Mandala, while Joe was a fresh-faced early-20s aspiring psytrance producer travelling India for the first time.

It was a chance meeting, but we immediately connected. We ended up putting on a small party, hanging out for a week, exchanging music and creative ambitions before going our separate ways.

Ten years later we had another serendipitous meeting on a Goan beach, which eventually led to our first studio sessions together in 2016.

That original meeting, and the spark of connection and friendship at formative moments in both of our lives, sits behind our creative partnership. It allows us to tap into a part of our younger, idealistic selves and the sense of possibility we both felt at the time.

You’ve crafted several powerful collaborations over the years. How do you feel your shared creative process has evolved?

Joe & Angus: As our solo projects have refined and technology has advanced, the process has evolved to an extent, but our attitude towards writing music hasn’t changed.

We always work face-to-face, never remotely. We switch off from the outside world, discuss the vision of the track carefully, and dig deep into unusual sound sources that inspire us.

We also never rush for the sake of a deadline. For us, only time, reflection, revision and the ability to self-critique lead to the level of sophistication and detail necessary for a track to have real longevity.

Your latest collaboration release, “Anjuna Touchdown,” carries a very special energy. What does this track represent to you?

Angus: I’m a self-confessed sunset addict. Wherever I am in the world, that time of day means a lot to me, it represents a chance for self-reflection and marvelling at the wonders of nature.

Out of everywhere I’ve watched the sunset, some of my greatest memories are in Goa.

When I first came to Goa in the early 90s, I remember watching an epic touchdown sunset from the Shore Bar on South Anjuna beach, listening to what was then a completely new kind of music. Little did I know that sound would go on to define the course of my life.

As the orange ball melted into the sea, so did my mind. The rest is history. Anjuna Touchdown is really about that feeling of arrival.

You’ve both spent significant time in Goa. From your perspective, how have things transformed over the years, and what magical elements have remained untouched since your first adventure there?

Joe & Angus: Although Goa goes through many mutations, the land itself will always be the magical part, the energy of it is undeniable.

People come and go, but there’s always a core group who remain loyal. There’s still a special connection with the Goan people, and a steady flow of new visitors falling in love with the atmosphere and lifestyle for the first time.

As much as we might dream of crystallising a perfect moment in time, nothing stays the same. Today’s generation experiences the magic of Goa in ways that are just as meaningful and authentic as before.

India is well known for its gracefully organised chaos on the roads. Can you shed some light on the legendary “Horns OK Please” stickers seen on the back of most vehicles?

Angus: It roughly means: beep if you have to, then please feel free to overtake.

But like everything in India, there’s also an element of mystery to it.

I’ve always been fascinated by the beautiful chaos that seems to exist only in India. The question I often asked myself was, is this human chaos somehow cosmically organised?

At the time I was travelling around India on my Enfield motorbike. One day in Delhi, on a busy traveller street called Paharganj, I decided to run an experiment.

I started my bike at one end of the street and rode the hundred metres in first gear, moving at roughly the pace of a heartbeat. I promised myself I wouldn’t hesitate or use the horn at all.

The idea was that if I reached the other end of the street unscathed, without actively avoiding chickens, cows, rickshaws and the madness of Delhi traffic, then maybe chaos really does work.

I’m happy to report it was a successful experiment.

Somewhere in between all the apparent madness, there’s a nano-path of sense, the flow. It just requires trust to navigate. That idea has become a metaphor that has shaped me more than almost anything else.

For future psychedelic adventurers travelling to Goa, or India in general, what wisdom would you share?

Joe & Angus: Forget everything you think you know, because it’s probably irrelevant.

Be open-minded, respectful, appreciate the hospitality that so many Indians instinctively afford to their guests, and be willing to go with the flow at all times.

India is so much more than only the vortex of Goa in peak party season. It’s hard to describe without falling into cliche, but we see it as life unfiltered and a full spectrum reality that delights, enlightens and challenges in equal measure. 

So be sure to explore deeper and step outside your comfort zone, and your intrepidness will be rewarded.

Braincell

5 Minutes with Braincell [Interview]

June 19, 2019
braincell, nano records, psychedelic, psytrance

Ralph K. Freund aka Braincell has a long and illustrious psytrance career that dates back to his days as one half of the duo, RASTALIENS, which he formed with friend, Jay, back in 1994.

He launched his solo project as BRAINCELL in 2003 and boasts an impressive discography of releases on various compilations and major labels.

To date Ralph has played on every major continent and continues to smash out quality psychedelic music on a regular basis.

He has now teamed up with long-time friend, Angus Young aka Mandala, to form a new and truly exciting project. Their first EP, called Mission Possible, is fresh off the press and the result is a trippy combination of two seasoned NANO artists.

We sat Ralph down for a 5-minute chat…

Growing up in Germany was interesting because…

Braincell: In that area where I grew up there was no electronic scene at all, and it still sucked me in.

My favourite movies/book of all time is

Braincell: Into the wild

If I was a cartoon character I’d be…

Braincell: Snufkin from the Moomins 🙂

My weirdest gig experience ever was when…

Braincell: vvDavid Tingsgard (Battle of the Future Buddhas) and I woke up in a caravan with holes shot into it and we realised we had been put into an illegal hunting place to sleep.

So, we escaped from there by foot (dogs and hunters behind us), and managed to get a ride to the airport before it got worse 😉

Best gig I’ve ever played was…

Braincell: Ozora 2016 closing set (I still get goose bumps).

The first time I heard psytrance was…

Braincell: At a castle party in south Germany. I was expecting a rock show, but then they played that Bum Bum music (Monkey music as my friend called it) and I couldn’t escape it and haven’t been able to ever since.

Best way to keep occupied on flights and in airports is to…

Braincell: Produce [music].

Favourite psytrance track and/or artist of all time is…

Braincell: Technossomy – Pyramid

Completing a full album was…

Braincell: A big challenge as I had to transform all the ideas, inputs and recordings from a year of traveling into music, but also big fun and it opened up new ways of creativity [for me].

One other genre besides psytrance I would consider making…

Braincell: Rock music.

Being part of the NANO artist roster is…

Braincell: Fabulous (heaven on earth) and an extended family experience.

You’ve just released ‘Mission Possible’, the first track from your brand-new collaboration with Mandala. Tell us a bit about the new release and, of course, about your new production duo, with Angus.

Braincell: We aimed to create something different in the genre, combining natural and synthetic/modular sounds and then tweaking them into new territories.

I met Angus several years ago in Goa in his Mandala paradise and ever since then we’ve become very close friends… and I helped him a bit to push his own music career.

Also, every studio session we’ve had has been pure inspiration and we have a timeless flow together, so it was clear that we would do some music together somewhere in the future, and here we are. 🙂

5 Minutes with Laughing Buddha [Interview]

June 6, 2019
Laughing Buddha, nano records, psychedelic, psytrance

Laughing Buddha is something of an institution in psychedelic trance circles.

As one half of the Cosmosis duo that produced the seminal ‘Cosmology’ album on Transient Records and 20 years of releases on iconic labels such as Flying Rhino, T.I.P. Records, Dragonfly (as Drum Druids), it felt like a homecoming when “Jez “Buddha” joined the Nano Family.

He reckons his latest dancefloor banger, ‘Ultra Space,’ is his best work yet and so do we 🙂

Where did you grow up (city/town)?

I grew up in the sleepy suburbs of London… probably why I couldn’t wait to get out and explore the world!

Favourite city visited so far… 

There are so many!

I love discovering the cultures and traditions (and food!) of all the different places around the world, whilst at the same time seeing that we all have so much in common, especially on the dance floor!!

First festival you ever attended

Wow, that’s going way back!

It must have been Glastonbury after my first trip to India selling chillums from a blanket on the grass 😀

Favourite food when at home?

I love making a traditional Italian risotto, because you can’t just throw it in the oven… you have to give it real love!

Do you have any pets?

I am currently at war with my wife’s ginger tom cat, but I have hopes for a peaceful resolution!

One album you grew up with that you still listen to today…

Just about anything by Pink Floyd.

An artist you wish you’d seen play live before they died?

Wolfgang Amadeus Mozart… the Boss.

Favourite music genre outside of psytrance…

I like to listen to as many different genres as possible… you never know where the next flash of genius might come from.

The track you are proudest of composing…

I have to say my last single ‘Ultra Space’ as each new track brings me one step closer to creating the ultimate tune I hear in my head! 

Your go-to hardware or software synth in the studio…

Most of my sounds are not synth based, rather manipulations of organic sounds twisted into something totally synthetic.

But when I do need a synth I love Xfer Records Serum, Sonic Academy Ana 2 or the Access Virus TI Snow for example.

Being on Nano Records means….

Nano represents everything that I have always loved about psychedelic trance culture.

I feel so fortunate to be part of this wonderful, crazy, colourful, inspiring, creative family.

Tell us a bit about your latest release, Ultra Space; What inspired the track, how long it took to complete once you had the idea down and where do you get all that funky groove???

‘Ultra Space’ was one of those tracks that almost wrote itself. Once I had the trippy loop rolling everything else just fell into place very quickly.

I have made some real leaps recently on the production side of things and this has given me tonnes of inspiration to experiment and play with lots of different sounds.

5 Minutes with Zephirus Kane [Interview]

December 12, 2018
nano records, psychedelic, psytrance, zephirus kane

After numerous slamming collaborations with Tristan, Ajja, Dickster, Laughing Buddha, Hujaboy, Sonic Species, Hypnocoustics, Groove Addict, Martian Arts and Audioform, Zephirus Kane has just dropped his debut solo EP, Rise & Amplify and it’s a blockbuster.

An accomplished front of house sound engineer, psytrance forms a special passion for one of our newer Nano artists.

Here’s what he had to  say…

Where did you grow up (city/town)?

I started out in Auckland, New Zealand and then on to London to broaden my education. 

Favourite city visited so far…

New York for its energy and pulse. 

First festival you ever attended…

I’m not sure which year it was. I was drunk in a pub late one night in London and my mate suddenly announces,  “we’re going to Glastonbury now”.

I didn’t know what or where that was. Four hours later he then told me  in a field in the dark that I had to try and climb over this huge fence to get into this party. I took his advice and it was wicked !!!! 

Favourite food when at home?

I like making smoothies.

Do you have any pets?

We just recently adopted a wild crippled cat that arrived at the house in urgent need of food and love. 

One album you grew up with that you still listen to today…

Back in Black is still solid today!!! 

An artist you wish you’d seen play live before they died?

Hendrix for sure. 

Favourite music genre outside of psytrance…

The FUNK… 

The track you are proudest of composing…

PURE from the new EP  that we put out on Dec 10th. 

Your go-to hardware or software synth in the studio…

Korg MS20, Sequential Pro One, Roland JP8000, Nord 2 – Omnisphere, Sylenth. 

Being on Nano records means…. 

It means being part of a musical family of like-minded artists who share a common concept of rocking dance-floors worldwide. And the pride of releasing my music with psy trance’s number one label. 

You have a new EP out this week; Rise & Amplify, two scorching 145 bpm slammers. It’s also your  debut solo EP. Tell us about the EP name, the two tracks and how does it feel to fly solo?

Rise & Amplify invites you to let your spirit soar at maximum volume.

PURE is a squelching, pulsing ride that samples the words of Nick Sand (legendary underground chemist) who I met at Ozora.

VIBRANT is a driving, positive, psychedelic trip to entertain your consciousness. It’s been a long journey to get my pilots license, so flying solo feels amazing!

 

Recent Posts

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