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mandala

Anjuna Touchdown: The Story Behind Hypnocoustics & Mandala’s Goa-Inspired Collaboration

March 4, 2026
Anjuna Touchdown, Hypnocoustics, mandala, nano records, psychedelic, psytrance

Few collaborations in psychedelic music carry the kind of organic chemistry that Hypnocoustics and DJ Mandala share. What began as a chance meeting in a beach café in Kerala more than two decades ago has grown into a creative partnership rooted in friendship, shared experiences, and a deep connection to the spirit of Goa.

Their latest collaboration, “Anjuna Touchdown,” captures a feeling familiar to many travellers and dancefloor wanderers – the moment of arrival, when the sun melts into the Arabian Sea and the music begins to shape a new chapter of life.

In this interview, Joe and Angus reflect on the serendipity that brought them together, their meticulous studio process, the ever-evolving magic of Goa, and the beautifully chaotic lessons learned along the roads of India.

As is clearly evident from the collaboration tracks you’ve written together, there’s a deep connection between you both. Can you take us back to the very first time you met and how that initial spark evolved into the creative partnership we hear today?

Joe & Angus: We met 20 years ago in Kerala in a beach café, both on our own journeys. Angus was bound for Goa to start an eco-resort which would later become The Mandala, while Joe was a fresh-faced early-20s aspiring psytrance producer travelling India for the first time.

It was a chance meeting, but we immediately connected. We ended up putting on a small party, hanging out for a week, exchanging music and creative ambitions before going our separate ways.

Ten years later we had another serendipitous meeting on a Goan beach, which eventually led to our first studio sessions together in 2016.

That original meeting, and the spark of connection and friendship at formative moments in both of our lives, sits behind our creative partnership. It allows us to tap into a part of our younger, idealistic selves and the sense of possibility we both felt at the time.

You’ve crafted several powerful collaborations over the years. How do you feel your shared creative process has evolved?

Joe & Angus: As our solo projects have refined and technology has advanced, the process has evolved to an extent, but our attitude towards writing music hasn’t changed.

We always work face-to-face, never remotely. We switch off from the outside world, discuss the vision of the track carefully, and dig deep into unusual sound sources that inspire us.

We also never rush for the sake of a deadline. For us, only time, reflection, revision and the ability to self-critique lead to the level of sophistication and detail necessary for a track to have real longevity.

Your latest collaboration release, “Anjuna Touchdown,” carries a very special energy. What does this track represent to you?

Angus: I’m a self-confessed sunset addict. Wherever I am in the world, that time of day means a lot to me, it represents a chance for self-reflection and marvelling at the wonders of nature.

Out of everywhere I’ve watched the sunset, some of my greatest memories are in Goa.

When I first came to Goa in the early 90s, I remember watching an epic touchdown sunset from the Shore Bar on South Anjuna beach, listening to what was then a completely new kind of music. Little did I know that sound would go on to define the course of my life.

As the orange ball melted into the sea, so did my mind. The rest is history. Anjuna Touchdown is really about that feeling of arrival.

You’ve both spent significant time in Goa. From your perspective, how have things transformed over the years, and what magical elements have remained untouched since your first adventure there?

Joe & Angus: Although Goa goes through many mutations, the land itself will always be the magical part, the energy of it is undeniable.

People come and go, but there’s always a core group who remain loyal. There’s still a special connection with the Goan people, and a steady flow of new visitors falling in love with the atmosphere and lifestyle for the first time.

As much as we might dream of crystallising a perfect moment in time, nothing stays the same. Today’s generation experiences the magic of Goa in ways that are just as meaningful and authentic as before.

India is well known for its gracefully organised chaos on the roads. Can you shed some light on the legendary “Horns OK Please” stickers seen on the back of most vehicles?

Angus: It roughly means: beep if you have to, then please feel free to overtake.

But like everything in India, there’s also an element of mystery to it.

I’ve always been fascinated by the beautiful chaos that seems to exist only in India. The question I often asked myself was, is this human chaos somehow cosmically organised?

At the time I was travelling around India on my Enfield motorbike. One day in Delhi, on a busy traveller street called Paharganj, I decided to run an experiment.

I started my bike at one end of the street and rode the hundred metres in first gear, moving at roughly the pace of a heartbeat. I promised myself I wouldn’t hesitate or use the horn at all.

The idea was that if I reached the other end of the street unscathed, without actively avoiding chickens, cows, rickshaws and the madness of Delhi traffic, then maybe chaos really does work.

I’m happy to report it was a successful experiment.

Somewhere in between all the apparent madness, there’s a nano-path of sense, the flow. It just requires trust to navigate. That idea has become a metaphor that has shaped me more than almost anything else.

For future psychedelic adventurers travelling to Goa, or India in general, what wisdom would you share?

Joe & Angus: Forget everything you think you know, because it’s probably irrelevant.

Be open-minded, respectful, appreciate the hospitality that so many Indians instinctively afford to their guests, and be willing to go with the flow at all times.

India is so much more than only the vortex of Goa in peak party season. It’s hard to describe without falling into cliche, but we see it as life unfiltered and a full spectrum reality that delights, enlightens and challenges in equal measure. 

So be sure to explore deeper and step outside your comfort zone, and your intrepidness will be rewarded.

5 Minutes with POGO [Interview]

October 17, 2018
dj pogo, full-on psytrance, mandala, nano records, psychedelic music, psytrance

5 Minutes with POGO [Interview

POGO returns with a two-track collaboration with Mandala on the EP, ‘A New Language.’

After his mammoth album release in Feb last year called Rock Your Soul, POGO has delivered a consistent series of psychedelic bangers collaborating with multiple artists including, DJAntrix, Sonic Species and Hypnocoustics.

Where did you grow up (city/town)?

I grew up in a little village in Oxfordshire, then moved to London when I was 15.

Favourite city visited so far…

Tricky one… I prefer to be out of cities these days.

First festival you ever attended?

Glastonbury.

Favourite food when at home?  

Any food my partner cooks – I’m very lucky 🙂

Do you have any pets?

We currently have three cats – Kali, Ninja & Ginja. they love hanging out in the studio!

One album you grew up with that you still listen to today…

My music tastes have moved on… I rarely listen to any music from my childhood.

An artist you wish you’d seen play live before they died?

I’d like to have watched Jim Morrison fronting The Doors.

Favourite music genre outside of psytrance…

Psy chill.

The track you are proudest of composing…

It’s impossible to pick one – I always get totally involved in whatever project is on the system.

Your go-to hardware or software synth in the studio…

The Virus TI 2 Polar – a great bit of kit for making psytrance.

Being on Nano Records means . . .

Sharing a voyage in sonic alchemy with some of the most talented and lovely people on the planet. Nano is a great platform for getting our music out to the people – they are true believers in the positivity our scene can generate.

You’ve just released A New Language EP…

  1. a) care to share which of the two tracks is your favourite

‘A New Language’ was always meant to be the main focus, but I’ve come to love ‘Time Is A River’ just as much. Very happy with both tracks.

  1. b) how was the collab experience with Mandala?

Working with Angus (Mandala) has been such a joy. He is a true brother in psychedelia, and as such he really has his finger on the creative pulse of the beating cosmic heart. Looking forward to more collabs with him in the future…

5 Minutes with Mandala [Interview]

May 21, 2018
full-on psytrance, mandala, mandala nano, nano records, psychedelic music, psytrance

Beyond the studio with Mandala

English psytrance producer Angus Young (yes, the very same name as AC/DC legend 😊) aka Mandala released his latest EP – Choose Love on 23rd of April.

Mandala

We caught up with him for a quick little cyber chat to meet the man behind the music… 

Where did you grow up?

Mandala: I grew up between England and Dubai.

Most people imagine Dubai to be hyper-modern but back then it was literally a single-track road with Camel’s crossing. The cheapest houses were right on the beach as it was much more favoured by the locals to live on the edge of the desert.

I spent most of my time surfing, camping and exploring.

Favourite city you’ve ever visited…

Mandala: There are too many to mention but I think It has to be Bangkok.

It’s so incredibly vibrant; a cross between ancient and futuristic… and similar to, yet slightly more tangible than Tokyo.

My favourite in Europe has to be Copenhagen.

I lived there for five years and had some extremely memorable times. Its small enough to be cosy and friendly, yet big enough to stumble across the unexpected.

First festival you ever attended?

Mandala: First festival was the Reading rock festival in 1986.

I went to see the Cure primarily but spent most of my time wondering where I was… and loving it!

Favourite food

Mandala: My favourite food to cook is definitely South Indian.

I love the combination of cashews, coconut and tamarind. I’ve always loved to cook and was the chef in my restaurant in Goa for a few years until I realised what a full-time commitment it was!

I also love the simplicity of cooking oven baked Mediterranean dishes and just experimenting…. it’s all like making music really, it somehow comes together, and some tracks are more subtly flavoured than others!

Do you have any pets?

Mandala: I have an unbelievably switched on dog named Zen, who lives up to his name in a big way and is possibly the wisest creature I have ever known…and 2 cats called Rani and Didi.

I love them all dearly.

One album you grew up with that you still listen to today…

Mandala: The first vinyl I ever had was Hayden’s surprise symphony when I was seven years old.

I loved the surprise part when everything dropped out into silence and then came back full power, orchestra blazing…quite similar to Psy trance really!

The soundtrack for my otherworldly interests to unfold in my teens was Pink Floyd -Ummagumma.

It captures the essence of walking the infinite tight rope just on the cusp of insanity but with an innocent happy go lucky childishness.

I still listen to both of them today.

An artist you wish you’d seen play live before they died?

Mandala: I wish I’d seen Jimi Hendrix on stage before he died…the thought gives me goose bumps.

Favourite music genre outside of psytrance…

Mandala: Hmmm…

Flotational beat-less chill, high quality dub, relentless funk and a spot of intelligent freestyle rap.

The track you are proudest of composing…

Mandala: The track I’m proudest of composing is “The lord of the Frogs” an unreleased piece I wrote in a monsoon in Goa about seven years ago.

It was a labour of love and madness as I sampled hundreds of frog sounds and composed the entire track from them. Even the kick and bass have frogs as their source!

I’ve always been into bringing nature into the music but on this occasion, it was nature in its entirety that became the music, thanks to the wonders of technology and having loads of time on your hands! 

Your go-to hardware or software synth in the studio…

Mandala: I guess at the moment it’s Thorn, and I’ve been noodling around with the Loom lately.

Mainly I love to use samplers, mash up unusual source material and map it across the keyboard.

Being on Nano Records means…

Mandala: Being a part of a beautiful family that you’ve always been a part of without knowing it.

A kind of karmic inevitability. In mythological terms it feels like the knights of the occasional table being sent forth by the elders to translate the language of the cosmos and spread the message far and wide!

Your ‘Choose Love’ EP dropped last month with two stomping tracks. Tell us a bit about the EP title, and what inspired both tracks which both have an anthemic, euphoric feeling of LOVE about them…

Mandala: The EP title comes from the way I aspire to living my life.

Firstly, to know that we all have a choice in our perception of every situation, believing that we can approach life with compassion and beautiful things will come to us as a result.

Love is a source energy and if you filter it through a clear vessel…life can become a wondrous experience.

Obviously, fear is antagonistic to our long-term development, although it has been a great teacher to us along the way, in overcoming its grasp.

I feel genuinely excited to be alive and I owe that to those choices. I wrote the tracks on the ep in a very positive and humbly grateful frame of mind, which would explain their anthemic euphoria😁.

Bonus question: Angus Young – coincidence or were your parents BIG AC/DC fans?

Mandala: My parents had never heard of AC/DC until I told them!

Although being at Wembley stadium for the Back in Black tour on my friend’s shoulders as the crowd shouted, “Angus Young…angus young!” was quite a trip😜

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Recent Posts

  • Anjuna Touchdown: The Story Behind Hypnocoustics & Mandala’s Goa-Inspired Collaboration
  • Learn music production with one of our artists
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  • 5 Minutes with Menog [Interview]
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